So yea, I thought this was quite a good movie.
Though, in this case, I can understand that she would live through what happened, since it wasn't that bad. But, again, this is a role that's more about the smaller details about the character and what makes her tick and not necessarily about her being this Jason Voorhees-type, though the ending makes her look like that. It's not like I think she's one of the elite actresses out there working right now, she may be at a later point, but she's really fucking good in the role and she adds so much to the character. It also helps when you have Sarah Bolger doing such a great job with her character.
But it does work in creating this really effective villain, a villain who's intellectually more manipulative than she is physically threatening. It was obviously shot in a way where the kids were probably watching something else, but just the idea that Emelie would do this makes her far more detestable and devious than if she had something far more straightforward like I don't even know honestly. The darkest scene would definitely have to be the one where Emelie shows the kids a sex tape of their parents. The film does go, like I mentioned, to some pretty dark places. Like I can buy that far more than other films that share similarities to this. I can buy a mother, who's also unable to conceive another child, being so emotionally distraught at the death of child that she would go to the extreme of pretending to be someone else in order to kidnap a child she can call her own.
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What I liked about the movie isn't the fact that it's realistic or anything of the sort, but the story itself is far more believable than just another movie where all the sitter wants to do is kill the family for no real reason whatsoever. To find out who's the perfect kid for her, she does these tests, if they can even be called that, which are pretty fucked up. She's basically doing this to find the perfect kid for her to kidnap and raise as her after her own baby died in an accident, that was her own fault, but an accident nonetheless. The plot is pretty simple, Emelie, the sitter, and this man she knows, who is never named, kidnap and kill the real babysitter so Emelie can pretend to be her. In many ways it's also a home invasion thriller, though the film does throw in some small little twists so it's not so straightforward of a movie. This isn't your typical 'evil babysitter' movie, which is really just a variation of the 'evil caretaker' subgenre that we, honestly, as far as I can tell, we don't get many movies from.
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You can view the full West End Live 2021 line up and schedule here!.I do not know if this review will be very long, but I'll see what I can do. More casts appearing on West End Live 2021 this year include Pippin, Dreamgirls, Back To The Future The Musical, Les Miserables, Disney’s The Lion King, Ben Stock’s West End Sing-A-Long, Hamilton, Bring It On The Musical, HMS Pinafore, Mary Poppins, Grease The Musical, & Juliet, Roles We’ll Never Play, The Book Of Mormon, The Barricade Boys and The Great Gatsby.
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What better story to tell, now, than that of people learning how to reconnect with one another?” “As we near the end of this run, I cannot help but feel lucky to have been part of this wonderful show as we reopened the West End.
When a chance at love comes her way, Amélie realises that to find her own contentment she’ll have to risk everything and say what’s in her heart.Īudrey Brisson, who created the title role at The Watermill in 2019, said: “Amelie has been a real beacon of faith and hope to all of us who sometimes struggle to put ourselves out there amongst people. The musical features music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas with direction by Michael Fentiman.Īmélie secretly improvises small, but extraordinary acts of kindness discovering the possibilities around every corner and bringing happiness to those she encounters. The show’s limited West End season comes to an end on 25 September – although producers have teased further plans to be announced this autumn. Amélie is the Grammy and Olivier Award-nominated show based on the 2001 French film Le Fabuleux Destin d’Amélie Poulai.
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